The quintessence of one's continuing love of popular culture that embodies heart-to-heart communication is the subject of this cast.
What makes a work of popular art "Christian"? Does it have to be explicit to qualify? Or implicit -- and therefore under the radar -- to really qualify?
One thing I know is that you have to love the work-in-question, whether a song, a novel, a movie, or a tv episode, on its own terms before you can communicate your particular personal attraction to its Christian element. (Seriously, I had to love Bride of Frankenstein (1935) for its own imaginative sake before I could go after -- and preach on -- the Christ-empathy in the sufferings of Boris Karloff. Similarly, I had to treasure the total coolness of the original "Outer Limits" (1963) before I could take advantage of the explicit sacrificial Christianity in its episode entitled 'Feasibility Study'.
In this cast I survey some powerful episodes of "The New Outer Limits" (1995-99) as a sort-of exercise in Gospel interpretation, at least in the way I've tried to do it over the years.
But again, remember: You have to like it first -- it has to connect with you heart-to-heart -- before you can theologize about it. Then, however, once it has won a place within your chest, it is ready for the pulpit. Or the breakfast table. LUV U.